This is the second Murakami book I’ve read. I found this book intriguing, certainly, and it kept my attention, but it was also a little empty for me somehow, not quite as substantive as The Wind-Up Bird Chronicles. Imaginative, but a little too predictable I guess. In particular, the way his characters think or say very deep things in sometimes very trite words annoys me. To take a concrete example, see first few pages of book. “A dark, omnipresent pool of water,†he writes. Or see the climatic moment when Kafka forgives his mother. “Mother, you say, I forgive you. And with those words, audibly, the frozen part of your heart dissolves.†Of course, both of these lines were actually spoken by a character called The Boy Named Crow, who is “a theorizing crow,†who perhaps has license to say such melodramatic things.
Yet this spirit overlaps with something I do like about the book, the central dreaminess of it, best summed up when someone quotes Goethe: “Everything’s a metaphor.â€